The summer has its own songs. Whispering softly, they make their way to us from the depths of the jungle. The high treetops sway and rustle. Once a tiger prowled the village. The father doesn’t tell his son about this, as he holds him tight. In calm takes that concede the jungle its beauty, stature and deep serenity, the images move between the immediate and the totality, between the all-too-human and the awareness of the gods who will protect the village. The arrangement of the images is akin to a hanging of paintings. The stories that the villagers tell the director follow a similar order in their sequencing. One leads to the next by association, thus opening up a village cosmos in which the old coexists with the new. Suddenly they appear, the forest creatures – only to vanish the next moment. A strange smoke exudes from the ground, like a dream from a bygone era. ‘People only sing, when they are in love with someone,’ the woman whispers – the day is done. For a brief moment the film is bathed once again in colour.

The summer has its own songs. Whispering softly, they make their way to us from the depths of the jungle. The high treetops sway and rustle. Once a tiger prowled the village. The father doesn’t tell his son about this, as he holds him tight. In calm takes that concede the jungle its beauty, stature and deep serenity, the images move between the immediate and the totality, between the all-too-human and the awareness of the gods who will protect the village. The arrangement of the images is akin to a hanging of paintings. The stories that the villagers tell the director follow a similar order in their sequencing. One leads to the next by association, thus opening up a village cosmos in which the old coexists with the new. Suddenly they appear, the forest creatures – only to vanish the next moment. A strange smoke exudes from the ground, like a dream from a bygone era. ‘People only sing, when they are in love with someone,’ the woman whispers – the day is done. For a brief moment the film is bathed once again in colour.

四个来到人界的瓶子精灵-库露露、琪莉莉、沙菈菈、穗蕗蕗。为何会在瓶子里呢?话说，这是因为在人界，人们会把有写愿望的信纸放在瓶里让它随海流走的关系。所以，精灵们代替信纸，自己进入瓶中，只为了要实现一个愿望。那么那个愿望是什么呢？那就是“成为人类”。举例来说，不管什么人界的杂志流落到精灵界去，他们看了那些杂志，都会觉得当人类真好啊。四人还有很多不知道的事。他们在“老师”的教导下学到很多东西，也一点一点的成长了。老师每天不管是大发现还是小失败都会边保护他们…

日本一座普普通通的高中，对生活倍感无聊的16岁男生高畑瞬（福士苍汰 饰）在课堂上打发着枯燥冗长的青春时光。然而就在毫无征兆的情况下，黑板前老师的脑…

意味深长的论语故事。

动画系列片《马克思说经济危机》结合当前国内、国际经济社会生活实际，选取热点问题，以动画形式制作。列举“雷曼兄弟”“安然公司”等与经济危机有关的著名案例做出深入浅出的解释。本片将运用马克思主义经济学原理，科学阐释当下国际金融、经济危机，在国际马克思主义宣传界形成自己的声音。

动画系列片《马克思说经济危机》结合当前国内、国际经济社会生活实际，选取热点问题，以动画形式制作。列举“雷曼兄弟”“安然公司”等与经济危机有关的著名案例做出深入浅出的解释。本片将运用马克思主义经济学原理，科学阐释当下国际金融、经济危机，在国际马克思主义宣传界形成自己的声音。

讲述成语故事。

讲述成语故事。

讲述成语故事。